"Paracas textile 179," c. 2500 BCE, via the Gothenburg Collection
The air that held what songs were sung was descant, desiccant, wicking all singers' breaths away as each chanted those bundled corpses down into a dropped, earthen womb. Wind blew across each singer’s mouth, all becoming reed flutes piping over those who died; sand scoured mouths dry, little cups waiting for a rinse of maize beer after singing. This desert by the sea parches every body until, husked in pierce-work cloaks, they become seed corn, dried and stored for a new season’s planting.
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