"Drachm of Ephesos with bee, struck under Prytanis," 387–301 BCE, Museum of Fine Arts Boston
Even Charon needs a place to rest, in the stygian twilight—a place to put his feet up, close his eyes for a moment as he waits for the next passengers to appear. A houseboat made of reeds, a gift from Ningal—no, we’d never see it, even if we knew it was there. Sitting low in the water, blackened with tar, sagging from the weight of a thousand million coins given to pay for passage—prow and stern like horns, like the edges of the thinnest crescent of a waxing moon made of obsidian. Floating shelter for the ferryman’s break. When the wind catches a cut edge, the scow moans like a blues harp, the same tuneless tune Charon hums under his breath once back at work, loading. While he misses his moment of leisure, he’ll gladly palm the light off our coins.
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