Cliff swallows, swirling from their mud jar nests like smoke. All day long, I’ve been in a trance— half-in and half-out of my body, gazing down at scrimshawed caliche, up at the aerial arabesques. I’m waiting for a hypnotist to walk back behind me, nod to the audience then snap his fingers. It’s then I’d see I was clinging to a lighting rig 50 feet up, not daubing clay on the concrete girder of a highway overpass to make myself a home.
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